For example, G sus2 (G–A–D) is the first inversion of D sus4 (D–G–A) which is the second inversion of G sus2 (G–A–D). Suspended second chords are inversions of suspended fourth chords, and vice versa. Quintal first inversion of C sus4, where the fourth is the bass note.Įach suspended chord has two inversions. In modern jazz, a third can be added to the chord voicing, as long as it is above the fourth. As such, after C sus4 (C–F–G), F may resolve to E (or E ♭, in the case of C minor), but in rock and popular music the term indicates only the harmonic structure with no implications about what comes before or after, though preparation of the fourth still occurs about half the time and traditional resolution of the fourth occurs usually. However, in modern usage the term concerns only the notes played at a given time – the suspended tone does not necessarily resolve and is not necessarily "prepared" (i.e., held over) from the prior chord. The term is borrowed from the contrapuntal technique of suspension, where a note from a previous chord is carried over to the next chord, and then resolved down to the third or tonic, suspending a note from the previous chord. Suspended fourth and second chords can be represented by the integer notation, respectively. Audio playback is not supported in your browser.
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